Surprise, no one! 'Modern Family,' a show that has been nominated 57 times since it's debut and won Outstanding Comedy Series the last three years, once again won the Outstanding Comedy Series at the 2013 Emmy Awards.
As many people were flipping back and forth between the second-to-last episode of 'Breaking Bad' and the 2013 Emmy Awards, many assumed that Bryan Cranston would take home one last Best Actor Emmy for his work as Walter White. Those people (including us!) were wrong, as Jeff Daniels pulled off the upset of all upsets and won Outstanding Lead Actor for his work on 'The Newsroom.'
Thought Neil Patrick Harris would open the 2013 Emmy Awards ceremony with a lavish musical number? Well, that didn't happen ... yet. Instead, Harris' opening sketch was an depiction of what most of us were probably all doing the week before -- binge watching every series.
Much like how fans are pining for Wolverine and Spider-Man to team up with the Avengers in a cinematic blowout, so too are they hoping for a Superman and Batman crossover. A while ago, back when Joseph Gordon-Levitt was rumored to star as the Dark Knight in 'Man of Steel 2' or some standalone film in the universe, talk branched off into a possible big-screen team-up for these two heroes. Now sources say that this will actually happen.
Hollywood's 3D reissue craze might be slowing down a bit in the wake of underwhelming returns for releases like 'Finding Nemo 3D,' but it hasn't stopped entirely. In fact, this fall, Warner Bros. will celebrate the 75th birthday of 'The Wizard of Oz' by sending a newly restored print to theaters for a special one-week run in IMAX 3D.
Genius or madman, auteur or amateur, Tyler Perry is a fascinating artist. And while it shouldn’t earn him either new fans or detractors, 'Temptation' is his most polished showcase to date of the bizarre and utterly irresistible divide between his razor-sharp creativity and decidedly duller technical precision. The story of a bored therapist who gets involved with one of her clients, Perry’s film wields melodrama like a hatchet, wringing moralistic justice from a story that’s remarkably more complex than it’s being sold – and, in fact, than Perry probably realizes.
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