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‘Parental Guidance’ Review
I was worried 2012 would end and there wouldn't be a clear winner for the prize of Worst of the Year. 'Parental Guidance' was worth waiting for. It isn't just the worst film of 2012, it's the worst film of 2011 and probably 2013, too. 'Parental Guidance' is a cinematic hemorrhoid throbbing on the screen, its only purpose in life to cause pain and discomfort.
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‘The Guilt Trip’ Review
I imagine the pitch meeting went like this: "Producer: We got Barbra Streisand, we got Seth Rogen, we get 'em in a car. Release it around Christmas. I mean, you gotta take grandma somewhere during the Holidays. Executive: Are there life-lessons involved? Producer: Does the Pope crap in the woods? Of course there are."
Lo and behold, a year later, these two guys found themselves at the premiere for 'The Guilt Trip,' a movie that didn't cost too much to make and won't make that much of an impact but will empower everyone involved to one day strike again.
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The Top 20 Movies of 2012
Ed. note: What are the Top 20 Movies of 2012? We asked our film critic Jordan Hoffman (who previously put together a list of the Best Movies of the first half of the year) to compile a list of the Best of 2012 of all the many movies he saw this year.
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‘Les Miserables’ Review
Is it possible to hate something and yet, at the same time, recognize its greatness? This is a heavy philosophical question and one that I'd like to discuss with you. Anything to get these insufferably catchy tunes from 'Les Miserables' out of my head.
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‘The Hobbit: An Unexpected Journey’ Review
Pop culture enthusiasts can be forgiven if they approach Peter Jackson's J.R.R. Tolkien prequel trilogy thinking about 'Star Wars.' Will this next (but previous!) chapter in one of Fandom's key franchises broaden the cinematic universe we love so much, or will this be another case where they should have let enough alone?
Well, as is so frequently the case in life, I can't give you such a black and white answer. For starters, we may not be able to fully analyze 'The Hobbit' until all three chapters are in. Nevertheless here we are and 'An Unexpected Journey' does, indeed, have a lot going for it. It is also saddled with tangents, jabberjaw scenes that never end and far too many beats whose sole function is to remind you how much you love the original 'Lord of the Rings' films.
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‘Zero Dark Thirty’ Review
I have no firsthand knowledge of how the CIA works. (You are shocked, I'm sure.) Yet among the things that has me so excited about Kathryn Bigelow's major new achievement, 'Zero Dark Thirty,' is that I come away from it thinking “yeah, that feels right.” So much in this story of “how we got Bin Laden” is a mixture of bullheaded perseverance and dumb luck. We've heard about “the fog of war” but this film shows the fog of intelligence. This look at world's biggest manhunt may be the best manhunt movie ever made.
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‘Rise of the Guardians’ Review
I can only take so much. I approach a family-friendly film with as open of a heart as possible, but when hit in the face with the shovel of whimsy and wonderment and wide-eyed optimism over and over and over again, eventually, I have to strike back. Sorry, 'Rise of the Guardians' - there's a lot that is admirable in you, particularly some of your design work, but you brought this on yourself.
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‘Anna Karenina’ Review
Do yourself a favor, don't fall in love. This is my interpretation, at least, of Joe Wright's highly stylized version of Count Leo Tolstoy's "best novel ever" 'Anna Karenina' (which, I may as well fess up, I've never read).
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‘The Bay’ Review
“I don't want you YouTubing!” the panicked mother snipes at her daughter as they sit in backed-up traffic, trying to escape the summer berg of Claridge, Maryland. “Did you just call it YouTubing?” the embarrassed daughter wise-asses back, adding a note wholly unnecessary for the plot but rather indicative of how 'The Bay' goes that little extra step from being just another gross-out horror pic.
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‘Silent Hill: Revelation 3D’ Review
As far as sub-literate, incomprehensible pieces of garbage are concerned, 'Silent Hill: Revelation 3D' is one of the year's best.
With an asinine plot, risible dialogue and atrocious acting, this sequel to a half-remembered video game adaptation still manages to provide a great number of base thrills with its nightmarish imagery. As such it is a quagmire of dread both within and without, disturbing to watch and to think about. This makes for a strange alchemy: in time you identify with the lead character (a young woman in peril) not because you are engaged with the film, but because enduring such an atrocity becomes its own act of survival. How 'bout that for a neat trick, eh?